Beckmann gynecology book pdf11/11/2022 Then, in 1933, overnight, with Hitler’s rise to power, Beckmann lost everything. In 1932, a special room devoted to his work was opened at the National Gallery in Berlin. In 1925, Beckmann was designated master teacher at the Frankfurt Museum of Applied Art. Critics expressed renewed admiration for his new style of art. 2 Afterward, his entire outlook on life and art changed. His traumatic experiences as a medic resulted in a lifelong hatred of militarism. Traumatized by the carnage he witnessed, he had a “nervous breakdown” and was discharged. In 1915, Beckmann enlisted as a medical orderly during World War I. 1 By 1913, he was giving solo exhibits and compared by critics to Rubens, Rembrandt, and Delacroix. At the age of 22 in 1906, he won the coveted Villa Romana Prize for a 6-month residence in Florence, Italy. His talent was clearly recognized by the age of 16. He expressed his interest in art as a child when he traded his tin soldiers for paints. Such treatment was unbearable for an artist of Beckmann’s stature. With this public condemnation of his art, there was no possibility of Beckmann remaining in Germany. Overall, 10 of Beckmann’s best known paintings and 11 of his lithographs and etchings were on display. 4 Entering the first room, museumgoers were greeted by Beckmann’s Decent From the Cross, described as sacrilegious, and his Christ and the Woman Taken in Adultery, described as undermining family values. Because avant-garde art was equated by the National Socialists (ie, the Nazis) with art by insane persons, works of modern art were hung side by side in the exhibition with art by psychiatric patients for direct comparison. 4 It was a collection of more than 650 paintings, sculptures, prints, and books taken from 32 public museums from all over Germany and chosen from more than 16 000 works deemed to be degenerate. The Degenerate Art exhibition ( Entartete Kunst) opened at the Institute of Archeology in Munich nearby the House of German Art the day the Beckmanns departed. Hitler ordered the Minister of the Interior to “prevent at least the further hereditary propagation of these gruesome optical disturbances.” 2 (p26) Thus, modern artists, along with people with mental illnesses, were targeted for sterilization in the Nazi eugenics campaign. He demeaned modern artists, claiming that they see “our people as decadent cretins” and distort the world by painting meadows blue, skies green, and clouds sulfur yellow. Hitler raved against decadent modern artists like Beckmann in his radio address. The House of German Art, the first building erected by the new regime, would show only the finest art, that approved by the Third Reich, and none by modern artists now deemed degenerate. On July 19, 1937, the day after hearing Adolf Hitler’s radio broadcast announcing the opening of the House of German Art, renowned expressionist Max Beckmann (1884-1950) and his wife Quappi fled Berlin for the Netherlands. It is to be said that Departure bears no tendentious meaning-it could well be applied to all times.
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